As You Like It By Shakespeare
- Date: 2007-03-27 - Word Count: 655
Share This!
William Shakespeare presents the diversity of male and female characters in his play ‘As You Like It'.
The relationships between two loving persons will definitely depend on these toe persons themselves and they may refer to either standard, regular male--female relationships or some non-standard female--female/ male--male connections, women--lesbians and men--gays. ‘Love is as you like it', says Shakespeare and proves it by the genus of his play characters.
As You Like It displays a mobility of sexual identity and gender that is prescient of many debates and concepts that relate to what is now recognized as Gay and Lesbian or Queer theory. An important feature of this critical approach is the attention paid to the performance component of both sexuality and gender. Moreover, how the protean nature of these concepts help to illustrate that the performance aspects of identity and gender are far more pertinent than any prescribed societal or anatomical distinctions.
Halberstam's standpoint supplies an absorbing method of approaching As You Like It, and the means in which the play reworks these binary oppositions and the resulting ambiguity that courses through the play. Such issues allow an insight to why As You Like It still resounds with audiences and readers in the 21st century. After Duke Frederick banishes Rosalind (and subsequently Celia) from court, Celia makes an arresting speech that, it may be inferred, connotes that her idea of their friendship exceeds platonic bounds. The purpose in quoting this speech is not to imply any latent homosexual desire but to draw attention to the interchange ability of gender roles in As You Like It.
If we were to lift this speech from the play, losing the speech prefix, we could be forgiven for interpreting the semantic choices of the speaker as a male addressing a female in a traditional (thus heterosexual) chivalric romance. This is by no means an attempt to misinterpret or re-contextualize Celia's speech but to point out that the language could easily be transposed to a romantic, courtly, heterosexual dialogue. Celia performs the role of the (idealistic) lover willing to sacrifice patrimonial advantage to elope with her forbidden love.
In the 21st century, we are aware of the inadequacy or redundancy, of any male/female gay/straight dichotomies: the stratification of human experience, especially of sexuality and identity, is far less rigid in pragmatic terms. Language often struggles with otherness in attempting to name and classify individuals or groups that do not comfortably fit the parameters of, race, religion, sexuality and desire. All too often we are confronted by nebulous concepts such as transsexual, bisexual, metrosexual, pre-op, post-op, and a plethora of other terminology that is either vague, insulting, or both.
In response to their situation Rosalind and Celia remodel themselves to adapt to their new environment. It is true that Rosalind and Celia cannot fully escape the over-arching patriarchal structure. In fact they acknowledge their vulnerability in the pastoral setting and choose an expedient disguise, ‘...so shall we pass along/ And never stir assailants'. They succeed in their male performance until they choose to disclose themselves. Rosalind and Celia's banishment to the forest serves to masculate them when, conversely, Duke Ferdinand's exile functions to emasculate him and strip his patriarchal advantage and power.
It is worth pointing out that Elizabethan society may not have suffered from the same blurring of boundaries as our own contemporary society but there are some analogous examples to offer. Queen Elizabeth herself is an androgynous Matriarch embedded deep within a Patriarchal framework. Gender and identity, generally considered as fixed grand narratives, are constructed from binary oppositions that when challenged are far more protean than they first appear.
The fluidity of identity, sexuality and desire in As You Like It does indeed challenge and deconstruct any basic hetero/homo, masculine/feminine dichotomy. It offers a libertarian approach to sexuality that encompasses the myriad possibilities of human experience.
Gabriel Rise has been experiencing in research paper and essay writingfor several years. Now she is consulting writers and customers on essay writing.
The relationships between two loving persons will definitely depend on these toe persons themselves and they may refer to either standard, regular male--female relationships or some non-standard female--female/ male--male connections, women--lesbians and men--gays. ‘Love is as you like it', says Shakespeare and proves it by the genus of his play characters.
As You Like It displays a mobility of sexual identity and gender that is prescient of many debates and concepts that relate to what is now recognized as Gay and Lesbian or Queer theory. An important feature of this critical approach is the attention paid to the performance component of both sexuality and gender. Moreover, how the protean nature of these concepts help to illustrate that the performance aspects of identity and gender are far more pertinent than any prescribed societal or anatomical distinctions.
Halberstam's standpoint supplies an absorbing method of approaching As You Like It, and the means in which the play reworks these binary oppositions and the resulting ambiguity that courses through the play. Such issues allow an insight to why As You Like It still resounds with audiences and readers in the 21st century. After Duke Frederick banishes Rosalind (and subsequently Celia) from court, Celia makes an arresting speech that, it may be inferred, connotes that her idea of their friendship exceeds platonic bounds. The purpose in quoting this speech is not to imply any latent homosexual desire but to draw attention to the interchange ability of gender roles in As You Like It.
If we were to lift this speech from the play, losing the speech prefix, we could be forgiven for interpreting the semantic choices of the speaker as a male addressing a female in a traditional (thus heterosexual) chivalric romance. This is by no means an attempt to misinterpret or re-contextualize Celia's speech but to point out that the language could easily be transposed to a romantic, courtly, heterosexual dialogue. Celia performs the role of the (idealistic) lover willing to sacrifice patrimonial advantage to elope with her forbidden love.
In the 21st century, we are aware of the inadequacy or redundancy, of any male/female gay/straight dichotomies: the stratification of human experience, especially of sexuality and identity, is far less rigid in pragmatic terms. Language often struggles with otherness in attempting to name and classify individuals or groups that do not comfortably fit the parameters of, race, religion, sexuality and desire. All too often we are confronted by nebulous concepts such as transsexual, bisexual, metrosexual, pre-op, post-op, and a plethora of other terminology that is either vague, insulting, or both.
In response to their situation Rosalind and Celia remodel themselves to adapt to their new environment. It is true that Rosalind and Celia cannot fully escape the over-arching patriarchal structure. In fact they acknowledge their vulnerability in the pastoral setting and choose an expedient disguise, ‘...so shall we pass along/ And never stir assailants'. They succeed in their male performance until they choose to disclose themselves. Rosalind and Celia's banishment to the forest serves to masculate them when, conversely, Duke Ferdinand's exile functions to emasculate him and strip his patriarchal advantage and power.
It is worth pointing out that Elizabethan society may not have suffered from the same blurring of boundaries as our own contemporary society but there are some analogous examples to offer. Queen Elizabeth herself is an androgynous Matriarch embedded deep within a Patriarchal framework. Gender and identity, generally considered as fixed grand narratives, are constructed from binary oppositions that when challenged are far more protean than they first appear.
The fluidity of identity, sexuality and desire in As You Like It does indeed challenge and deconstruct any basic hetero/homo, masculine/feminine dichotomy. It offers a libertarian approach to sexuality that encompasses the myriad possibilities of human experience.
Gabriel Rise has been experiencing in research paper and essay writingfor several years. Now she is consulting writers and customers on essay writing.
Related Tags: shakespeare, as you like it
Your Article Search Directory : Find in Articles
Recent articles in this category:
- How Hypnotherapy Can be Used on Children
Today Hypnosis can be termed as a branch of medicine which is quite unique, whereas in the past this - Confidence Workshops For Children
Every parent wants their children to be confident, happy, highly motivated and enthusiastic in order - Inspiring Children Using NLP
Neuro-Linguistic Programming (NLP) is one of the most successful therapies in psychology today. Init - Writing Term Papers
Students often tend to put off a written assignment, considering it to be a chore too formidable to - Naming In Term Paper
Give a descriptive name to each of your concept in the paper. Adhere using terms like "our approach" - Introduction Section of a Research Paper
Your introductions should not exceed more than two pages (typed, double spaced). See again the examp - Getting a Feedback of Your Term Paper is Important!
Get the feedback of your work! Finish your paper, having written it well in advance, so that you hav - The 1950's - Was Life Better?
Iconic TV shows like I Love Lucy, Dennis the Menace and My Three Sons seem to indicate that the 1950 - Online Classroom Systems Makes Home Schooling Even More Attractive
In the past it went without saying that you would send your kids to public schools. With public scho - 8 Helpful Tips For Surviving Military Basic Training
Getting through military basic training takes a lot perseverance. During this training it is best to
Most viewed articles in this category:
- Culinary Cooking Schools and What They Teach
Culinary cooking schools prepare you for a job in the culinary industry by providing you with the kn - How To Learn Spanish Quickly Without Moving To Spain
Learning Spanish is a popular pastime, as well as a serious goal for many individuals. Whether it's - How To Improve Your Life With An Accredited Online College Degree
With the information super highway raring full steam ahead, quality accredited online college degree - Online Bachelor Degree Programs Go Mainstream
The Internet has seen an explosion in online bachelor degree programs in the last five to ten years - Online Degree Program Just A Click Away
You want to go shopping, but your car is low on gas. You want to know your account balance, but do n - Online Paralegal Degree Will Open Doors
An online paralegal degree may offer the possibility of improving your chances in the legal professi - What West Point Military School Looks For In A Candidate
West Point is looking for well rounded young men and women who are good students, good athletes, and - The Importance of Effective Accounting Programs
In the past, small businesses like mom and pop stores were not required to maintain any sort of acco - California Schools Educators Retirement System And Lionstone Group Create Investment Fund
The California State Teachers' Retirement System (CSTRS) is the second largest public pension fund i - A Taste of China - Seattle Schools New Guest Teacher Shares Language and Culture of Her Native Hom
The Seattle schools have a new "guest" teacher. Zhu Dan arrived in the Seattle schools in January